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Divine Right, Merovingen Nights #5, ed. by CJ Cherryh
Endgame, last book of Merovingen Nights, ed by CJ CherryhAs I suspected, too much stuff going on to pay attention to another species.
According to CJ Cherryh, things got too complicated to continue the series ...
...found some really good stories set in the Cyteen universe - but no luck yet with Merovingen Nights.
Quote from: Valka on July 27, 2015, 05:28:03 AMAccording to CJ Cherryh, things got too complicated to continue the series ... Ah. Thanks for the info. It's a shame the series couldn't continue.Quote ...found some really good stories set in the Cyteen universe - but no luck yet with Merovingen Nights.It's all the same universe - it was the Union that colonized Merovin, although 600-700 years prior. It seems like a different universe, because things are so primitive for a far-future setting.
Nominally, the Night’s Dawn trilogy is about a mysterious disaster originating on Lalaonde and threatening the entire Confederation. In reality, though, Hamilton’s goal is to create a believable society and then show every effect of that disaster, both physical and moral, on his creation. As a result, this is a very decentralized story, where the number of point of views spreads throughout the entire Confederation, staying just half a step ahead of the waves of change and destruction. The best way to understand these books is to imagine a massive glass creation, gigantic but every inch carefully devised and filled with details, and then to imagine the inexorable destruction of the sculpture, inch by inch, the cracks spreading so slowly as to be visual but so quickly as to be unstoppable. It’s an effect that would only be meaningful if the reader first understands every intricacy of Hamilton’s creation, and so Hamilton shows us exactly that.Imagine, for a second, that there are three layers to every story. The first layer is the present time, the plot, if you will. Just about every author will explicitly show this, because it is, presumably, why we’ve come. The second layer is the backstory, how the characters got where they are, who the characters are, etc. This is generally implied, though the degree to which it is shown depends on the author. Finally, we’ve got the layer behind even the backstory, what’s simply the background. This is stuff like the minutia of the justice system, or how planet X was settled, why coalition Y makes this product, etc. it’s the kind of thing that’s important for an author know, but it’s rare for the readers to ever learn – or care – about much of it.
The Night’s Dawn trilogy has quite a few problems, not the least of which is the sheer number of sub plots, many of which are either extraneous or just plain not as good, that clog it up. None of that changes what it is at its core, however, and that is one of the most explosive and wide screen science fiction stories ever conceived of. Hamilton’s creation is both majestic and impossible to put down. If you’re a fan of the genre, you need to pick this up without question.
The Deadknights subplot comes to mind as being way extraneous and rather unnecessary.And Gerald should have dissappeared from the story as well once his 'role' was played out on Lalonde.
What do you think of the 'Escape Route' short story in the 'A second chance at Eden' bundle?